sydney arts guide
This folder contains reviews written by Eric Myers for the Sydney Arts Guide, edited by David Kary. Readers can click on the INDEX button for a list of reviews or articles in this folder.
Darren Percival & James Morrison
JAMES MORRISON & DARREN PERCIVAL AT THE LOUNGE IN CHATSWOOD
Reviewed by Eric Myers
Sydney Arts Guide, April 23, 2026
This might be an odd thing to say, but I feel that James Morrison is going from strength to strength. I say odd, because Morrison’s performances for a long time have invariably been sold out and, by any standards, extraordinarily successful. With such success under his belt, some might think that Morrison has already arrived, and has nowhere to go. But I venture to say that this performance of his quartet at The Lounge in Chatswood on Apr 16, 2026, with the addition of the vocalist Darren Percival, was indeed something else…
Aaron Blakey
AARON BLAKEY: JAZZ PIANIST, COMPOSER, AND BANDLEADER
Interviewed by Eric Myers
Sydney Arts Guide, April 25, 2026
Aaron Blakey is a New Zealand-born jazz pianist/composer based in Sydney. He has been performing since 2006 and has studied in New Zealand (Auckland University), in Japan (under tutelage from Yuki Arimasa, former Berklee College professor), and in Australia at the Conservatorium of Music in Sydney. He moved to Sydney in 2011 after a four-year stint of playing in Japan as an active pianist on the Tokyo jazz scene, including a stint at the internationally renowned New York Bar & Grill at the Shinjuku Park Hyatt, as featured in the 2003 blockbuster movie Lost in Translation…
WHERE IT ALL WENT WRONG: THE CASE AGAINST JOHN HOWARD
Book Review by Eric Myers
Sydney Arts Guide, April 30, 2026
The author Amy Remeikis is chief political analyst at the Australia Institute. Her new book Where It All Went Wrong: The Case Against John Howard is welcome; it’s a book that’s long overdue. Remeikas argues that many of today’s societal problems can be traced back to Howard’s policies as PM for 11 years, 1996-2007. “He started the shift from the collective to the individual in Australia,” she writes, “and in doing so made us all the more vulnerable to the divisive messages of today”…