Eric Myers Jazz

work in progress

 

ESSAYS

This section includes essays on various jazz subjects, written by a number of writers. Contributions are welcome. Writers interested in contributing are welcome to contact the editor by filling out the form in the CONTACT tab. Photographs to illustrate those essays are welcome. Readers can click on the INDEX button for a list of articles in this folder.

 
2019 Freedman Fellow Novak Manojlovic

2019 Freedman Fellow Novak Manojlovic

SOUND BALANCE IN JAZZ: A VEXED QUESTION

by Eric Myers

The Music Trust’s Loud Mouth e-zine, October, 2019

This article was prompted by a discussion that came about following my review, published in The Australian, of the September 8 concert in The Studio of the Sydney Opera House, when three finalists competed for the $20,000 Music Trust Freedman Jazz Fellowship. They were vocalist Elly Hoyt and pianists Novak Manojlovic and Harry Sutherland, each performing for about half-an-hour with their own small ensembles. There were relatively minor sound problems on the night, which in my view were avoidable…

Ade Monsbourgh

Ade Monsbourgh

THE FATHER OF AUSTRALIAN JAZZ: LAZY ADE

by Diana Allen OAM

Australian Jazz & Blues, Volume 1, No 4, 1994

In 1987 I asked Ade Herbert Monsbourgh if I could give him a Club 177 Birthday Bash to celebrate his 70th birthday. He agreed and a birthday party for Ade has begun each Club 177 (and later Jazz Australia), every year ever since. Ade Monsbourgh, born in Melbourne on February 17th, 1917, is unquestionably a legend in his lifetime. Referred to by some as "the father of Australian jazz", he is indisputably one of the founding fathers. The magic of his music has always been distinguishable both by his own unique sound, something that every musician hopes to acquire, and his presence on stage...

Keith Hounslow

Keith Hounslow

WHATEVER HAPPENED TO KEITH HOUNSLOW?

by Ken Simpson-Bull

AJAZZ, February, 2012

If you’ve wondered why you haven't seen or heard of iconic jazz trumpeter Keith Hounslow for the last ten years it's because he's living a pleasant life of retirement. Recently interviewed, Keith explained what led up to his departure from jazz performing and what he's doing now…