INDEX FOR ESSAYS FOLDER
[Click on the essay you wish to read]
THE AUSTRALIAN JAZZ ORCHESTRA IN THE UNITED STATES by Eric Myers
HORST LIEPOLT: MAN WITH A PASSION by Eric Myers
HORST LIEPOLT IN NEW YORK by Gordon Dodd
A NIGHT IN NEW YORK WITH DAVID ADES by Eric Myers
JAZZ AND THE CULTURAL POLITICS OF AUSTRALIAN MUSIC by Bruce Johnson
THE KALEIDOSCOPIC MUSICAL MIND OF BRUCE CALE by John Shand
TRADITIONAL JAZZ IN AUSTRALIA by Bruce Johnson
THE CRISIS IN MODERN JAZZ IN AUSTRALIA by Peter Rechniewski
A RESPONSE TO PETER RECHNIEWSKI by Bruce Johnson
CLEMENT SEMMLER: THE FORGOTTEN JAZZ PIONEER by Eric Myers
THE EL ROCCO: AN ERA IN SYDNEY JAZZ by Bruce Johnson
THE ERROL BUDDLE STORY (PART ONE) by Eric Myers
THE ERROL BUDDLE STORY (PART TWO) by Eric Myers
ON ARTHUR JAMES RECEIVING THE OAM by John Sangster
IF THOSE WALLS COULD ONLY SPEAK by Harry Stein with a comment by Bruce Johnson
MEANING IT: TRUTH, TRUMP, UNIVERSALITY AND CULTURAL AMNESIA by John Shand
BRINGING UP THE BODIES: COGNITIVE AGENCY IN JAZZ by Bruce Johnson
COLLECTIVE AUTONOMY: A PATH TOWARDS ANOTHER ALTERNATIVE by Phil Treloar
WHY IS THERE SO LITTLE SPACE FOR WOMEN IN JAZZ MUSIC? by Cat Hope
EL ROCCO: BEYOND THE MAINSTREAM by John Clare
THE UNTOLD HISTORY OF TASMANIAN JAZZ by Simon Petty
MIKE NOCK: MAKING MUSIC FLOW FROM THE RIVER WITHIN by Jakob Baekgaard
JAZZ CENTRE 44: SOUNDING MANY CHORDS by John Clare
MARK SIMMONDS: I WANT TO BE THE BEST by Martin Jackson
KEITH STIRLING: AN ENIGMA by Eric Myers
GRAEME BELL AT SEVENTY by Bruce Johnson
TEN YEARS OF THE BASEMENT by Phil Tripp
SIMON BARKER: NEVER RUNNING OUT OF STEAM by John Shand
PAUL FURNISS: MORE THAN A TRAD PLAYER by Bruce Johnson
THE SYDNEY JAZZ CLUB: 30 YEARS ON by Bruce Johnson
CHUCK YATES AT 75: A GIANT OF AUSTRALIAN JAZZ by Phil Sandford
IMPROVISATIONS: JAZZ PIANIST ANDREA KELLER by Anna Goldsworthy
JIM KELLY & MICK KENNY: BACKBONE OF CROSSFIRE by Eric Myers
GENESIS OF IDENTITY IN AUSTRALIAN IMPROVISED MUSIC by Timothy Stevens
THE LEN BARNARD STORY by Len Barnard
JOHN SANGSTER: AN APPRECIATION by Len Barnard
IMPROVISATION IN CLASSICAL MUSIC: WHERE DID IT GO? by Brian Jenkins
SOME OF MY FAVOURITE ALBUMS (IN NO PARTICULAR ORDER) by Dave Ellis
ALLAN BROWNE & RICHARD MILLER: MODERNISTS & TRADITIONALISTS by Adrian Jackson
TWO INTERVIEWS WITH DON BURROWS by Eric Myers
DON BURROWS AT 80 YEARS OF AGE by Andrew Ford
MELBOURNE’S BENNETTS LANE JAZZ CLUB CLOSES by David James
DAVID JAMES, AUTHOR OF THE WORLD’S BEST JAZZ CLUB by Miriam Zolin
FREE IMPROVISATION: A PERSONAL PERSPECTIVE by Martin Davidson
JAMES MORRISON AND DALE BARLOW: THE YOUNG LIONS by Eric Myers
BENNETTS LANE: THE EMERGENCE OF AN INSTITUTION by David James
IT’S ALL JAZZ BUT PLAY YOUR BAG! by Keith Hounslow
BRUCE CALE: MORE THAN JUST A JAZZ MUSICIAN by Adrian Jackson
IS BOB BARNARD AUSTRALIA’S GREATEST JAZZ MUSICIAN? by Dick Hughes
BERNIE McGANN & PAUL GRABOWSKY: A MATCH MADE IN JAZZ HEAVEN, by Tony Hillier
WILMA READING’S BRILLIANT CAREER, by Tony Hillier
DICK HUGHES by Clement Semmler
DICK MONTZ, Interviewed by Mike Williams
JUDY BAILEY: AN IMPROVISED CAREER, by Eric Myers
JUDY BAILEY'S RECORDED MUSIC: AN APPRECIATION, by John Shand
40 YEARS OF JAZZTRACK: AN INTERVIEW WITH MAL STANLEY by Joanne Kee
UNITY HALL JAZZ BAND: WORLD'S LONGEST RUNNING GIG by Nick Galvin
PAUL McNAMARA: A JAZZ THINKER by Eric Myers
ALAN TURNBULL: THE FACE BEHIND THE DRUMS by John Shand
IS THERE AN AUSTRALIAN JAZZ? by Bruce Johnson
KEITH HOUNSLOW: A NEW CAREER PHASE by Gail Brennan/John Clare
BOB SEDERGREEN: THE INTERVIEW by Adrian Jackson
GEOFF BULL: AN INTERVIEW by Eric Myers
ALLAN BROWNE: DRUMMING UP 50 REASONS TO REJOICE by Andra Jackson
NO BIG DEAL: AN INTERVIEW WITH PHIL TRELOAR by John Shand + Concert Review by Eric Myers
WE ARE OUTSIDERS by Ross McHenry
CHICK COREA: RESPONSIBILITY OF THE ARTIST by Eric Myers
FRANK SMITH AT THE EMBERS, MELBOURNE 1960-61 by Ted Nettelbeck
CHRIS QUA Interviewed by Mike Williams
AT THE SOURCE: DAVE PANICHI'S LIFE IN JAZZ by Samuel Cottell
DAVE PANICHI & THE BUDDY RICH TAPE: I GOT NOTHIN’ FOR YOU by Richard Cooke
COLLECTIVE AUTONOMY: RIVER’S FLOW by Phil Treloar
SCHMOE: LEADING ADELAIDE JAZZ SAXOPHONIST AND PERSONALITY by Ted Nettelbeck
RAY MARGINSON: HIS EARLY DAYS IN JAZZ by Ken Simpson-Bull
UNDERSTANDING MILES DAVIS IN NINE PARTS by Greg Cwik and David Marchese
INTERNATIONAL JAZZ DAY: AUSTRALIA’S JAZZ COMMUNITY SOUNDS OFF by Loretta Barnard
AN OPEN LETTER TO ETHAN IVERSON (AND THE REST OF JAZZ PATRIARCHY) by Sasha Berliner
TONY GOULD Interviewed by Mike Williams
JUDY BAILEY’S ANOTHER JOURNEY: MUSIC FOR SYMPHONY AND JAZZ ORCHESTRAS Reviewed by Eric Myers
VIKTOR’S VIEW: MY MUSICAL INVENTORY by Viktor Zappner
JAZZ: HOW CAN IT GO FORWARD? by Graeme Bell AO MBE
A CONVERSATION WITH ERROL BUDDLE by Mike McKeon
IN CONVERSATION: QUINCY JONES by David Marchese
AUSTRALIAN JAZZ HISTORY: A BRIEF OVERVIEW by Tony Gould
FIRST LADIES OF JAZZ: ELLA AND SARAH by Maureen Meers
DAVE DALLWITZ & THE SOUTHERN JAZZ GROUP by Bruce Johnson
WARREN DALY AND THE BIG BAND by Eric Myers
ON CHARLIE MUNRO by Bruce Johnson
ON THE BENDERS by Bruce Johnson
STEWART SPEER: A DRUMMER WHO WON’T LET THE ODDS BEAT HIM by Eric Myers
CAN JAZZ BE SAVED? by Terry Teachout
ON CHRIS ABRAHAMS by Mark Bazeley
ON RAY SWINFIELD by Bruce Johnson
BRIAN BROWN: STILL A FORCE by Adrian Jackson
SIMA & THE VISIT OF DEWEY REDMAN IN 1986 by Eric Myers
MARIE WILSON: A MUSICIAN’S SINGER by Bruce Johnson
MARIE WILSON: SKETCHING NUANCE ONTO A CANVAS OF SUBTLETY by John Shand
ROGER FRAMPTON AND THE RESURGENCE OF CREATIVE MUSIC by John Clare
PAUL GRABOWSKY: A TALENT TO BE RECKONED WITH by Adrian Jackson
THE ROGER JANES BAND: MAVERICKS WITH EARS by Bruce Johnson
A STORY OF JAZZ IN SYDNEY: THE SHORT VERSION by Peter Boothman
PETER BOOTHMAN: GROWTH & BALANCE by Bruce Johnson
DON HARPER: AN EXPATRIATE RETURNED by Eric Myers
TOM BAKER: APOSTLE OF SWING by Eric Myers
AUSTRALIAN JAZZ HISTORY: A COMPREHENSIVE OVERVIEW by John Whiteoak & Bruce Johnson
MAKING A DIFFERENCE: MORE GIGS, BETTER PAY by Bruce Johnson
KEITH HOUNSLOW Interviewed by Mike Williams
A CONCISE HISTORY OF AMERICAN JAZZ by Alexander Hunter
BOB BERTLES QUINTET PREVIEW by John Shand
BOB BERTLES’ METEOR, NUCLEUS AND TEN PART QUADRUPLE THREAT by John Shand
ALAN NASH: ANOTHER MELBURNIAN SUCCESSFUL IN SYDNEY by Gill Falson
LET'S NOT LOSE THAT RHYTHM by Peter Rechniewski
ACTION PLAN COULD SEE JAZZ JUMPING by Andra Jackson
PETER RECHNIEWSKI: UNCAPED CRUSADER by John Shand
BRIAN BROWN Interviewed by Mike Williams
THE PROFESSOR: ANDREW SPEIGHT by Gordon R Webb
JAMES MACAULAY: THE CHARM OF THE TROMBONE IS IN ITS MYSTERY by Nikos Fotakis
JOHN BUCHANAN: HONOURED FOR SERVICES TO JAZZ MUSIC by Samuel Moore
LLOYD SWANTON’S AMBON: QUITE AN EXPERIENCE by Ian Muldoon
LINDA MAY HAN OH, THE DOUBLE BASS, AND ME by Ian Muldoon
MY MUSIC NOTATION STORY by Maree Steinway
SIMA & THE STATE OF AUSTRALIAN JAZZ 2006, Peter Rechniewski interviewed by Peter Jordan
WHAT DO JAZZ CRITICS DO? I - John Shand is interviewed by Peter Jordan
WHAT DO JAZZ CRITICS DO? II - John McBeath is interviewed by Peter Jordan
THE TALENTED PIANIST BILLY WALKER Interviewed by Gill Falson
THE REMARKABLE MR MORRISON by Mervyn E Collins
JAZZ AND THE ARTIST’S BUSINESS by Ian Muldoon
EXCEEDING MY REACH: ‘INSIDE’ THE UNFAMILIAR by Robert Burke
THE BRILLIANCE OF CHARLIE PARKER by Whitney Balliett
BIG BAND THEORY: A PERSONAL VIEW by Ian Muldoon
CARLO PAGNOTTA & UMBRIA JAZZ 2001: PRELUDE TO A FAILURE by Eric Myers
HORROR MOVIE, IT’S THE 6.30 NEWS: WHY THE AUSTRALIAN MEDIA IGNORE JAZZ by Peter Jordan
SANDY EVANS: IN CONVERSATION WITH MICHAEL WEBB
DON BANKS Interviewed by Mike Williams
AN EXCHANGE I HAD WITH SARAH VAUGHAN by Wynton Marsalis
VIBRAPHONE: THE FORGOTTEN INSTRUMENT OF AUSTRALIAN JAZZ by Garry Lee
WARREN DALY BACK IN THE SWING OF IT by Kevin Jones
TRINKLE TINKLE BANG BANG: PIANO JOYS by Ian Muldoon
JUDY BAILEY TRANSFIXES AUDIENCE by Gilbert Haisman
BIRTH OF A JAZZ LABEL, Horst Liepolt interviewed by Jazz Down Under
HITTY HITTY BANG BANG: PERCUSSION BITTER AND SWEET by Ian Muldoon
PERTH JAZZ MUSICIANS PUNCHING ABOVE THEIR WEIGHT: KONRAD PASZKUDZKI by Eric Myers
LICORICE STICK: SOME THOUGHTS ON THE CLARINET IN JAZZ by Ian Muldoon
AN AUSTRALIAN SOUND: JAZZ IN MELBOURNE AND ADELAIDE 1941-51 by Bruce Clunies-Ross
DAVE DALLWITZ: THE CREATION OF A MYTH by Norm Linehan
DAVE DALLWITZ & AUSTRALIAN JAZZ: A REPLY TO MR LINEHAN by Bruce Clunies-Ross
TED VINING: IN THE JAZZ WILDERNESS by Neville Meyers
TED VINING: BAND MAESTRO TO LIFT SA SCENE by Richard Ogier
JUDY BAILEY IN CONVERSATION by Belinda Webster
JACK MITCHELL: AUSTRALIAN DISCOGRAPHER by Roger Beilby
THOUGHTS ON SEXISM IN JAZZ by Shannon Barnett
CANBERRA’S SOUTHERN CROSS CLUB by John Sharpe
THE GREAT AUSTRALIAN BASSISTS: MELBOURNE'S GEOFF KLUKE by Adrian Jackson
PAUL GRABOWSKY: ON AN UPWARD PATH by Adrian Jackson
JOHN COLBORNE-VEEL: THE PLIGHT OF THE UNKNOWN AUSTRALIAN COMPOSER by Bruce Johnson
BRUCE CALE, SERIALISM AND THE LYDIAN CONCEPT by Eric Myers
THE MERV ACHESON STORY by Merv Acheson
JAZZ TODAY: PARADIGMS LOST AND FOUND by Gary Giddins & Scott Deveaux
DIANA ALLEN: JAZZ IMPRESARIO by Mel Forbes
BOB BARNARD: A JAZZ MASTER WITH NO EQUAL by Jim Cullum
RON FALSON: CRASH HOT JAZZ PLAYERS Compiled by Eric Myers
THE COLTRANE PROJECT AT FOUNDRY 616 by Ian Muldoon
CHRIS CODY: A BIT OF A FRANCOPHILE, Interview by Peter Jordan
BOBBY GEBERT: SCULPTING A CAREER by John Shand
MARK SIMMONDS: NO SLAVES by John Shand
SANDY EVANS PUTS TRAGEDY ON RECORD by John McBeath
CELEBRATING HUMANITY THROUGH THE CREATIVE PROCESS by Sandy Evans
LLOYD SWANTON’S CATHOLICS: THE SERIOUSNESS OF JAZZ by Ian Muldoon
FREEDOM OF EXPRESSION WITH A GROOVE, Ken Burns interviews Wynton Marsalis
THE TWO PATHS OF JAZZ by Merv Acheson
THE AUSTRALIAN JAZZ MUSEUM: PLAYING ITS OWN TUNE by Loretta Barnard
CONFESSIONS OF A SWING ADDICT 1924-28 by Frank Coughlan
FRANK COUGHLAN: AUSTRALIA'S GREAT MASTER OF JAZZ by Charles Jay
SOUND BALANCE IN JAZZ: A VEXED QUESTION by Eric Myers
THE UNRECOGNISED JAZZ ARTIST by Ian Muldoon
WHATEVER HAPPENED TO KEITH HOUNSLOW? by Ken Simpson-Bull
GRAEME BELL AT 75: RELUCTANT JAZZ COMPOSER by Eric Myers
THE JAZZ TRUMPET: BRINGING OUT THE HUMAN IN ME by Ian Muldoon
JASON BRUER: HAMMERHEAD IS WITHOUT DOUBT MY MUSE by Nikos Fotakis
CHRIS McNULTY: VOCALIST by Winthrop Bedford
A RESPONSE TO PHIL SLATER’S DARK PATTERN by Ian Muldoon
JIMMY SHAW & THE GAIETY SWING BAND by Max R Harris
SOME BRIEF COMMENTS ON JAZZ IN FILM by Ian Muldoon
TIM HOPKINS Interviewed by Peter Smetana
HOUNSLOW AND GOULD AIM McJAD AT INDIA by Eric Myers
MY FAVOURITE DRUG by Ian Muldoon
BRUCE CALE'S JOURNEYS by Eric Myers
AUSTRALIAN JAZZ CONVENTIONS 1946-1976 by Dick Hughes
CATHY HARLEY: THE WORLD AT HER FEET by John Shand
ANDREW FIRTH: OUTWARD BOUND by David Sly
LLOYD SWANTON: HIGH PRIEST OF THE CATHOLICS CONFESSES ALL by John Shand
PAUL GRABOWSKY: ACCOSTING THE COUNT by Adrian Jackson
STEVE HUNTER: BASS DESIRES by John Shand
THE USEFULNESS OF ART AND THE THIRD STREAM by Ian Muldoon
TONY GORMAN: CALMING EVERY MOLECULE WITH ONE LONG NOTE by John Shand
THE UNEQUALLED KERRIE BIDDELL by Mark Isaacs
THE COMEBACK OF MILES DAVIS by Eric Myers
SEVEN STEPS TO HEAVEN: THE GLORIOUS SEPTET IN JAZZ by Ian Muldoon
GILL FALSON: THE POCKET VENUS by Donna Abela
TO BE MANY THINGS by Gian Slater
THE MUSIC OF SILENCE IN MODERN TIMES by Ian Muldoon
THE HISTORY OF JAZZ AUSTRALIA 1985–2015 by Diana Allen OAM
THE TROCADERO: A GLIMPSE INTO THE GLAMOUR OF A BYGONE TIME by Loretta Barnard
PETER BRENDLÉ: A MAN BEHIND THE MUSIC by Eric Myers
DAVID TOLLEY: ORIGINAL AUSTRALIAN MUSIC FREE OF TYRANNY by Adrian Jackson
GEORGE BENSON: OFF THE RECORD by Eric Myers
BILL MOTZING: A MUSIC ADVENTURER AS EDUCATOR by Andrew L Urban
I’LL STRING ALONG WITH YOU: SOME GUITAR PLAYERS by Ian Muldoon
THE RENAISSANCE IN JAZZ: WOMEN by Ian Muldoon
TRADITIONAL JAZZ IN SYDNEY: THE ROAD TO THE NINETIES by Peter J F Newton
MAINSTREAM JAZZ: IS IT WORTHWHILE? by Eric Myers
YOU DIG ME? IT’S JAZZ THAT TELLS A STORY by Ian Muldoon
OH TROMBONE, TROMBONE, WHEREFORE ART THOU TROMBONE? by Ian Muldoon
MIROSLAV BUKOVSKY Interviewed by John Sharpe
SOME JAZZ GUITARISTS I LOVE by Garry Lee
JOAN CHAMORRO & JAZZ PEDAGOGY IN BARCELONA by Viktor Zappner
SOME MEMORIES OF BASSIST FREDDIE LOGAN by Ted Nettelbeck
VOICES I DIG: SOMETIMES WITH TEARS OF JOY by Ian Muldoon
BEAT ME DADDY, 8 TO THE BAR: THE RHYTHM BUSINESS IN JAZZ by Ian Muldoon
MILEHAM HAYES: PLAYER & VISIONARY by Sallie Gardner
LOUIS ARMSTRONG by Clive James
THE YOUNG NORTHSIDE TRIUMPHS IN MONTEREY by Andrew L Urban
JOY YATES & DAVE MACRAE IN THE UK by Christina Fraser
GOD IS IN THE HOUSE: ASPECTS OF MY RELIGION by Ian Muldoon
DAVE LEVY: THIS TIME THE DREAM’S ON ME by Barry Morris
TATUM PETERSON BLEY & McALL: PERFORMANCE AND THE MUSIC by Ian Muldoon
GLENN MILLER: WHAT REALLY HAPPENED TO HIM? Reuter, Glenn Miller Archives
THE BEAUTY OF THE FAMILIAR AND THE BEAUTY OF THE NEW by Ian Muldoon
DEXTER GORDON: OUT OF THE CRUCIBLE CAME LOVE by Ian Muldoon
BERNIE McGANN by Bruce Johnson
MIROSLAV BUKOVSKY: A CITIZEN OF THE WORLD by Eric Myers
JAZZ AUSTRALIA: IS THERE SUCH A THING AS AUSTRALIAN JAZZ? by Gil Wahlquist
WHERE’S THE PIANO? by Ian Muldoon
POLITICS AND JAZZ by Ian Muldoon
JAZZ IS SOMETHING ELSE by Ian Muldoon
NOSTALGIA, THE GREAT AMERICAN SONGBOOK, AND THE PIANO TRIO by Ian Muldoon
ALL WHAT JAZZ? SELF-FULFILLING PROPHECY? by Bruce Johnson & Kieran Stafford
WHEN WILL THE BLUES LEAVE? by Ian Muldoon
REFLECTING ON “REFLECTIONS OF WESTERN AUSTRALIA”: A BICENTENNIAL COMMISSION by Garry Lee
HOW JAZZ GOT ITSELF ORGANISED AND TOOK A PLACE AT THE FUNDING TABLE by Shane Nichols
ED GASTON: JAZZ, CLASSICAL MUSIC, GARY BURTON AND GOOD TASTE by Trevor Graham
WORK AND THE PERFORMING ARTIST by Ian Muldoon
THE CITY OF JAZZ by Duke Ellington
MY DAYS AS A JAZZ CRITIC by Eric Hobsbawm
THE JAZZ SCENE: INTRODUCTION TO THE 1959 EDITION by Eric Hobsbawm
THE JAZZ SCENE: INTRODUCTION TO THE 1989 EDITION by Eric Hobsbawm
TEN PART INVENTION & BERNIE MCGANN QUARTET TOURS 2004 by John Pochée
INTERVIEW WITH CHRIS ABRAHAMS by Innerversitysound
STEVE ELPHICK IN CONVERSATION by Belinda Webster
PROLOGUE TO MILES THE AUTOBIOGRAPHY by Miles Davis
THE TUTELAGE OF MARK SIMMONDS by Will Guthrie
AFTERWORD TO BLACK ROOTS WHITE FLOWERS: JAZZ THROUGH TO THE 1980s by Bruce Johnson
A STORY OF JAZZ IN SYDNEY: THE LONG VERSION by Peter Boothman
IS THE PARTY OVER FOR RECORDED MUSIC? by Ross A’hern
RECORDING JANN RUTHERFORD’S THE SCENTED GARDEN by Dave Goodman
CHILDREN OF FANTASY IN INDONESIA by Eric Myers
LISA PARROTT: OUT OF SIGHT by Jim McLeod
DAVID JONES: THE SPIRIT FLIES by John Shand
JEREMY ROSE, WILLIAM PARKER AND PAUL GRABOWSKY: CONNECTING THROUGH MUSIC by Ian Muldoon
FOREWORD TO JIM McLEOD’S JAZZTRACK by Jim McLeod
BRYCE ROHDE: A CUSHION OF AIR by John Shand
KEITH JARRETT'S MUSIC by Jim McLeod
BERNIE McGANN: SLINGS ARROWS APATHY by John Shand
THE MELBOURNE JAZZ CO-OP AND THE STATE OF THE VICTORIAN SCENE by Peter Jordan
ADRIAN CUNNINGHAM: AUSTRALIA’S FINEST JAZZ EXPORT? by Samuel Cottell
THE SONG, THE STANDARD, AND THE ART OF JAZZ by Ian Muldoon
JAZZ PIVOT TO ASIA by Ian Muldoon
OH! PLAY THAT THING! by Clement Semmler
THE NECKS: A VERY SILENT WAY by Glen Goetze
HENRY (RED) ALLEN: THE NEW YORK JAZZ SCENE AND A TOUR OF HARLEM by Clement Semmler
ALL THAT JAZZ ISN’T ALL THAT GREAT by Justin Wm Moyer
THE FORCE THAT WAS GRAEME BELL by Loretta Barnard
WITHOUT A SONG by Paul Andrews
THE BEAUTY OF ANDREA KELLER by Ian Muldoon
JOE LANE STORIES by Paul Pax Andrews
TED NETTELBECK: HE TESTED POSITIVE FOR JAZZ by Sylvan (Schmoe) Elhay
CODY’S 10 x 10. INTERVIEW 1: HELEN SVOBODA by Chris Cody
CODY’S 10 x 10. INTERVIEW 2: FABIAN HEVIA by Chris Cody
CODY’S 10 x 10. INTERVIEW 3: ZELA MARGOSSIAN by Chris Cody
CODY’S 10 x 10. INTERVIEW 4: NADJE NOORDHUIS by Chris Cody
CODY’S 10 x 10. INTERVIEW 5: LLOYD SWANTON by Chris Cody
CODY’S 10 X 10. INTERVIEW 6: KRISTIN BERARDI by Chris Cody
PREFACE TO SEEING THE RAFTERS by John Sangster
FOREWORD TO SEEING THE RAFTERS by Don Burrows
PRELUDE TO BERNIE McGANN: A LIFE IN JAZZ by Geoff Page
SOME THOUGHTS ON JAZZ EDUCATION by Ian Muldoon
BEAUX MOMENTS MUSICAUX (BATTERIE) by Ian Muldoon
WHERE JAZZ LIVES NOW by Giovanni Russonello
PIANO RECITALS YOU MAY HAVE MISSED by Ian Muldoon
THE DEATH OF CHARLIE PARKER by David Kastin
CITY OF LIGHT: THE NECKS AT THE OPERA HOUSE by Mark Mordue
MY STORY ON MY DAD’S LIFE & DEATH: SOME THINGS WE DID by Rebecca Clare
INSIDE THE MUSICIAN: A JAZZ PARTY by David Theak
PAT QUA: THE ART OF DOING YOUR OWN THING by Fran Hernon
NO MUSIC BETTER EXPRESSES THE HUMAN SOUL THAN JAZZ by Rhys Muldoon
INSIDE THE MUSICIAN: GHOST FREQUENCY by Cameron Undy
SANDIE WHITE: A FASCINATING AND VARIED LIFE by Ralph Powell & Sandie White
A MOST ELEGANT ART by Ian Muldoon
MICHAEL GRIFFIN: PERSEVERANCE PAYS OFF by Bob Doerschuk
JAZZ: A FORM FALLING FREE? by Lynden Barber
JAMES MORRISON: COME FLY WITH ME by Nicholas Adams-Dzierzba
PETER NELSON: LIGHTNING IN A JAR by Ashleigh Wilson
QUALITY OF DOWN UNDER JAZZ UP 1962 interview with US pianist Arnold Ross by anonymous writer
PAT CAPLICE QUINTET PACKS SOPHISTICATED PUNCH by Wally Norman
PAT CAPLICE: MODERN JAZZ PIONEER by Eric Myers
MEMORIES OF ALAN LEE by Garry Lee
THE COMMUNITY OF A JAZZ CLUB by Ian Muldoon
INTRODUCTION TO THE LAUNCH OF EMILY RYTMEISTER’S FILM, ROGER FRAMPTON COMES ALIVE! by Hart Cohen
INTRODUCTION TO ‘ROGER FRAMPTON COMES ALIVE!’ by Emily Rytmeister
ROGER FRAMPTON: AN OUTSTANDING JAZZ MUSICIAN IN HIS TIME, Film review by Ted Nettelbeck
UPDATING JAZZ, by Clement Semmler
TO THE LEFT: FREE JAZZ by Ian Muldoon
REVIEW OF “BLUESVILLE TIME” by Richard Cook
BARRY HARRIS: KEEPER OF THE BEBOP FLAME by Michael Bourne
REVIEW OF “BLUESVILLE TIME” by Bruce Johnson
VAZESH LIVE AT THE OPERA HOUSE by Ian Muldoon
MY RELIGION MY PLAYGROUND MY BACH by Ian Muldoon
ONIONS: THE BAND THAT BROUGHT TEARS TO YOUR EYES by Sylvan (Schmoe) Elhay
THE MOST HUMAN OF HORNS, by Ian Muldoon
THE MANY LIVES OF LINDY MORRISON by Toby Creswell
UNIVERSITY OF JAM by Ian Muldoon
THE BEST GROUP AT THE MELBOURNE INTERNATIONAL JAZZ FESTIVAL by Ian Muldoon
THE BEST AUSTRALIAN JAZZ VOCALIST by Ian Muldoon
FOREWORD TO EMPEROR NORTON’S HUNCH, by Peter J F Newton
REVIEW OF 1948 MEMORIAL JAZZ CONCERT by Dick Hughes
OLD & NEW JAZZ DREAMS by Ian Muldoon
DEWEY REDMAN AT THE PERFORMANCE SPACE by Eric Myers
WYNTON MARSALIS: JAZZ PHENOMENON TO TRUMPET ABOUT by Kevin Jones
THE SWEET SPOT OF ANDREA KELLER by Ian Muldoon
THE GREAT JOHN POCHÉE, interviewed by Trevor Graham
JIEM: OLD & NEW DREAMS by Ian Muldoon
OUR DEAR MADDY YOUNG by Daryl Aberhart
THE LAST STRAW & BERNIE McGANN TRIO AT JENNY’S WINE BAR 1983 by Anthony Stanton
JIM McLEOD’S JAZZ TRACKS ABC 838 832-1 1989, reviewed by Bruce Johnson
TEN PART INVENTION GETS FULL MARKS by Adrian Jackson
TEN PART INVENTION JAS CONCERT MAY, 1989 by Sy Bluhm
JAZZ MOLES REJOICE by Lynden Barber
A CELEBRATION OF DIFFERENCE IN JAZZ by Ian Muldoon
THE MELBOURNE INTERNATIONAL JAZZ FESTIVAL 2024: A SELECTIVE IMPRESSION by Ian Muldoon