Eric Myers Jazz

work in progress

INDEX for CONTRIBUTIONS folder

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ADRIAN JACKSON RESIGNS FROM WANGARATTA FESTIVAL by Martin Jackson

BERNIE MCGANN TRIO, ISHISH & TIM STEVENS TRIO AT UMBRIA JAZZ 2001 Reviewed by Mike Zwerin

FAREWELL DAVID ADES by Mandy Nolan

A MESSAGE TO ROGER FRAMPTON by Dale Barlow

MY BIG BROTHER ROGER FRAMPTON by Helen Smethurst

ROGER FRAMPTON'S FUNERAL by Guy Strazzullo

A DOSE OF THE CLAP TRAP by John Shand

ROGER FRAMPTON'S DAUGHTER THANKS THE AUSTRALIAN JAZZ COMMUNITY by Emily Lys

THE INAUDIBLE MUSIC: JAZZ, GENDER AND AUSTRALIAN MODERNITY Andrew Ford interviews Bruce Johnson

SUPPORT ACT: THE HEART & HAND OF AUSTRALIAN MUSIC by Joanna Forman

AUSTRALIAN JAZZ ORCHESTRA IN NEW YORK by John S Wilson

JOHN POCHÉE HONOURED AT THE 2017 ART MUSIC AWARDS by Eric Myers

JOHN SHAND'S WALKLEY WIN A VICTORY FOR HONESTY by Nick Galvin

BENEFIT FOR ADRIAN JACKSON by Martin Jackson

VALE BERNIE McGANN by Cathy Peters

A HEARTFELT EULOGY FOR ERROL BUDDLE by Maree Steinway

THE AUSTRALIAN STAGE AT UMBRIA JAZZ 2001 by Peter Kenyon

CLARITA LIEPOLT IN MELBOURNE by Ted Vining

CLARITA LIEPOLT IN SYDNEY by Eric Myers

PHIL SLATER QUINTET AT THE SOUND LOUNGE by Heather Prowse

DUKE ELLINGTON SHOULD BE TAUGHT IN SCHOOLS by Michael Griffin

JACK KEROUAC AND THE INFLUENCE OF BEBOP by David Kastin

AN EXCHANGE I HAD WITH SARAH VAUGHAN by Wynton Marsalis

THELONIOUS MONK AND THE FIVE SPOT by David Kastin

JACK MITCHELL RECEIVES OAM by Ciara Bastow

HOW ‘STRANGE FRUIT’ KILLED BILLIE HOLIDAY by Brandon Weber

FREEDOM OF EXPRESSION WITH A GROOVE, Ken Burns interviews Wynton Marsalis

FIXING FOR NOW, THE IMAGE OF JAZZ by Ben Ratliff

KEN BURNS’ JAZZ DOESN’T SWING by William Berlind

STREAMING AND WHAT MUSICIANS REALLY EARN by Loretta Barnard